Art has the unique ability to transform a house into a home. The moment you hang a piece on your wall that truly resonates with you, it becomes more than just decoration — it becomes a part of your story.

In my own journey, I’ve learned that the pieces I’ve connected with the most aren’t always the ones I thought I’d like at first. Sometimes, it’s a piece that just speaks to me on an emotional level, even if I can’t put my finger on why. Other times, it’s something that instantly takes me back to a particular place, time, or memory — like the piece I created after my 60th birthday. Inspired by a weekend away at the beach, I captured a stormy sea and the brilliance of a sunset that marked both a celebration and a turning point. The artwork still brings me back to that moment, and the connection I feel with it is what makes it so special to me.

Choosing the right art is about more than just filling a space. It’s about finding pieces that resonate with you in a way that will continue to bring meaning and joy long after the purchase is made.

Connection is Key

The most important thing when selecting art for your home is simple: connection. Whether that’s because of its subject matter, the memories it evokes, or that inexplicable feeling that draws you to it. Art, after all, isn’t just about decoration; it’s about bringing something meaningful into your life.

Perhaps the connection is obvious. Maybe it’s a landscape of a place you’ve visited, a piece that brings back a cherished memory. For some, it could be the feeling of serenity evoked by an abstract piece. Or, it could be that rare artwork that you can’t quite put into words. You just know you love it, and that’s enough.

Think about the last time you walked into a room and felt something when you saw the artwork on the walls. Whether it sparked a deep memory, made you feel calm, or ignited curiosity, that connection is what makes living with art so special. It’s why a piece of art can transform not just your space, but your experience of it. It becomes a conversation starter, a source of joy, and a silent companion to your day-to-day life.

And remember, art doesn’t always have to make sense. Sometimes, it’s the pieces that you can’t explain WHY you like them, that have the deepest meaning. If a painting pulls you in—even if you don’t know why—chances are, it’s the right piece for you.

Your Space, Your Sanctuary

Your home should be more than just a place where you sleep, eat, and relax—it’s your personal sanctuary. It’s where you recharge, reflect, and find peace amidst the busyness of life. The art you choose to surround yourself with can play a significant role in setting the tone for this space.

Think about how your home makes you feel. Is it calm and peaceful, a retreat from the demands of everyday life? Maybe you crave serenity, with gentle tones and soothing imagery that help you unwind after a hectic day. Or perhaps you’re drawn to vibrant colors and energetic scenes that reflect your dynamic lifestyle.

Art has the power to create these moods and atmospheres. If you live a fast-paced life, a piece of art with soft colours and forms may provide the stillness you need. But, if you work in a mental or creative field, you might prefer art that t doesn’t demand constant attention. Or pieces that offer beauty in simplicity.

If your job is more repetitive or routine, maybe you need thought-provoking art that invites you to reflect and dream. Whatever your pace of life, your space should reflect who you are and how you want to feel when you’re there.

When choosing art for your sanctuary, it’s important to listen to what your heart desires. Not just what looks good in a space. Art has the ability to elevate any room, making it a true reflection of your inner world. So, think about what will help you feel at home, calm, inspired, or energized. After all, this is your sanctuary—a place where you should feel completely at ease.

Art as an Extension of You

Art has the unique ability to not only enhance a room but also to reflect who you are. It’s an extension of your personality, your values, and the things you hold dear. If a piece doesn’t feel like it aligns with your essence, it’s not truly fulfilling its purpose in your home.

The art you choose can tell your story. Whether it’s the subjects you’re drawn to, the colors that speak to you, or the emotions a piece evokes. It’s a personal connection that goes beyond aesthetics. That’s why the art that fills your space should feel like a mirror of your soul.

It’s also about how that piece allows others to connect with you as well. Art has an amazing ability to spark conversation. It gives you an opportunity to share parts of your life with friends and family. The right artwork can open doors to deeper connections. It can help your guests to see you in new ways. I may even reveal something about your personality that they didn’t know before. Imagine discussing a piece over dinner. Explaining the inspiration behind it, or talking about how it makes you feel. It’s a way to invite others into your world, and connect with them beyond the surface level.

When you select art that speaks to who you are, it becomes more than just something you look at. It becomes something that communicates who you are to everyone who steps into your home.

Timeless Over Trends

When it comes to art, there’s a temptation to follow trends. But choosing art based on what’s “in” right now can sometimes leave you with something that doesn’t truly resonate. Sure, trends can be fun and exciting. But they come and go, and you’ll likely tire of them as quickly as they came into style.

Think about it. Art isn’t something you hang up and take down on a whim. It’s something you’ll live with for years, maybe decades. When you choose something based on trends, you’re essentially getting something that may not bring you joy for the long haul.

So, how do you avoid falling into this trap? You focus on timelessness over trendiness. Choose art that speaks to you — not because it’s popular. But because it feels like a piece you’ll love for a lifetime. And yes, trends can still have a place in this process! If you’re drawn to a particular trend, that’s fine. As long as you’re sure it’s something that will continue to connect with you as time goes on.

For instance, let’s take the example of vibrant, bold colors. These may be trendy at the moment. But if they make you feel energized and alive, and you know you’ll enjoy their presence long after the trend fades, then that piece can still be a keeper. However, if you’re choosing a piece based on what influencers or trendsetters say is the next big thing, you might want to pause and really ask yourself: Does this piece truly speak to me?

At the end of the day, the best art is the art that will continue to enrich your life. Whether it’s in style, in sentiment, or in the memories it brings to mind. So, when you’re choosing art for your home, let your personal connection and your unique taste guide you, rather than chasing after what’s “hot” right now.

Finally, go with your heart, not your head!

In the end, the art you are choosing for your home should always come back to one thing: your love for it. When you feel a deep connection to a piece, whether it’s the subject, the colors, or the memories it brings to life, it becomes a part of your story, your sanctuary, and your space.

While trends and advice from others can be fun and useful, remember that art is meant to reflect you. Your personality, your journey, and what makes you feel at home. So, take your time, trust your instincts, and choose pieces that make your heart feel full, your mind at ease, and your spirit inspired.

At the end of the day, art is not just something you hang on your wall. It’s something you live with. And when you truly love what you choose, that connection will only deepen over time.

What emotions and thoughts does the art in your home evoke for you? I’d love to hear how you connect with the art that fills your space. Feel free to share your thoughts in the comments below or send me a message — I’m always inspired by the stories behind the art we choose to live with.

Check out my art

Find out more about me

Upcoming exhibitions

The post Why You Should Love the Art You Choose appeared first on Liz de Koning.

We have had the Banksy Exhibition here in Adelaide over August and September, and I was lucky enough to go.

Surprisingly for me, my son was interested in going, and it turns out that he is quite a Banksy fan! A very unexpected but happy turn of events for me!

For those of you not in the know, Banksy is a UK street artist and activist. No-one knows who he really is, or even if Banksy is his real name. My son and I were speculating that maybe it is a group of people doing the work, rather than just one, but who knows – more on that later.

He’s been creating street art since the 1990’s, mostly in the UK. His subjects are often political and he provides a social commentary through his art that really makes you think. My opinion, Banksy is one of the greatest ever story teller artists, which is one of the main reasons we love his work and his messages.

The exhibition was a combination of originals, reproductions and photo’s. Obviously, we can’t see every original, as most of them were on buildings, and some were destroyed.

The blurb for the exhibition said that it would take 45 minutes to an hour to view, however, we were there for just over 2 hours, and we didn’t spend much time on each exhibit. There were a huge number of pieces and the stories to go with them were so interesting that it really needed the time we took. I would happily go through it again as I enjoyed it so much.

If you want to find out more about Banksy, check out the wikipedia site. I’m sure, however, that there are far more interesting sites to have a look at.

I found it really interesting that Banksy has set up installation art, such as the ‘theme park’ Dismaland. There was quite a lot of pieces from that installation in the exhibition, and I think it would have been amazing to see in person. Dismaland was based on Disneyland, but with a real emphasis on what I would call the negative parts of theme parks. Disappointing rides, loads of rubbish and efforts to just get as much money as possible were some of the themes. It was only open for about a month, but apparently, as with most of his installations, it was sold out!

Banksy has also done art overseas to make statements about issues that he is obviously passionate about.

He has visited Palestine a couple of times, painting images on the Israeli West Bank wall, and in 2017, setting up the Walled Off Hotel in Bethlehem, with rooms decorated by himself and other artists. It was and maybe still is, a hotel that people can stay at. In the exhibition was a reproduction of one of the rooms and also other artwork from the hotel.

In November 2022, Banksy went to the Ukraine during the Russian invasion and painted murals in several cities. One of them depicts a child besting Putin with a judo throw (see the reproduction of it from the exhibition below).

I also loved the story he depicted of buying a boat, painting it pink and donating it to be used to help save stranded refugees trying to get from Africa to Europe. You can read more about it in this article. On the refugee boat people issue, he also had this stunning sculpture that I absolutely love for it’s detail and message.

I had a couple of favourite pieces, for the message, the satire and the emotions they created in me.

The first is the anti immigration pigeons, having a go at a poor lone swallow. You can see my pic of it below. It’s funny how the same issues affect different countries isn’t it? We have similar issues here in Australia (along with a whole slew of our own!).

The next one is the Trolley Hunters. I absolutely cracked up laughing at this one. It’s so hilarious to see neanderthal hunters going after trolleys. On the write up about the piece it talked about something like the hunters attacking the trolleys, one of whom stands up defiantly (not exact words!). It’s actually a statement about our rampant consumerism, inability to fend for ourselves and incessant need to shop! Check out this interesting article on it.

I also love ‘Girl and balloon’, and this is probably the iconic image I knew about before going to the exhibition. There was also a great short film on this one that was amazing to watch as well. You may know about this one as it was the painting that famously got shredded once it was auctioned. The painting had a built in shredder in the frame! Imagine paying over one million pounds just to have that happen!

So, I guess, one question that people probably ask is ‘Can Banksy really paint, or does he just do stencils?’. The answer is a resounding, yes, he can definitely paint. There are some classic paintings in oil that he reproduced and added modern detail to (as part of the Crude Oils series). As you look at them, it is obvious that he knows how to paint. That doesn’t detract from anything that he’s done with stencil at all. I don’t buy into the whole argument that graffiti isn’t art. It is – art is an expression of the artist, so those marks are art. We might not like it, we may not understand it, but that doesn’t change the basic fact that it is art.

Anyway, off my soapbox and back to Banksy. The mere fact that he knows how to compose, use colour, and invoke emotions, means that regardless of whether it is fine art oils or stencilled art, it is still art. And, Banksy CAN paint and create. (See below for ‘Venus’ from the crude oils series).

This leads me on to my final thoughts about Banksy. After leaving the exhibition, my son and I had a big discussion about who Banksy is. Thinking about this later, I realised that it is probably better if we DON’T know who Banksy is. Regardless of whether he is a celebrity, a conglomeration of people, two people painting as one, or ordinary Joe Bloggs from around the corner, his art speaks to us.

If we knew who he was, would it have as big an impact, or would the man/artist interfere with the message? Food for thought!

Last, but not least, if you get the chance to see any Banksy exhibition, instalment, street art or anything done by him, just do it. It’s really impactful and well worth the effort.

The Banksy exhibition I’ve just seen is currently touring Australia and moves on to Melbourne and Perth soon.

If you’re interested in what I thought about other exhibitions, check out my blog on the Frida Kahlo exhibition.

The post The art of Banksy Exhibition appeared first on Liz de Koning.

As you might expect, I’m experimenting with the newsletter, so, if you find any things really interesting, or others not so much, please let me know so I can make it the best possible thing for you.

Let me introduce myself.

My name is Liz, and I’ve been artistic and creative all my life, but, I’ve only just started to seriously create in an artistic sense.

I had periods of doing art related things such as papermaking and paper related crafts, textile art, calligraphy and painting, but, as with most of us, life and work got in the way.

I was lucky enough to take an early retirement almost exactly two years ago, and after the initial ‘yahoo’ period, I started thinking about what I wanted to do with all that glorious time! Art and golf were the first two things on my list. Over all those years, I had lost my confidence in my ability to create artistically, so I found a beginner oil painting class, which was focused on colour, and soon realised that I still had it!

I spent a year with my teacher, who was really wonderful, and in that time my confidence grew exponentially. After she decided to take a year off to travel, I found another group to learn with, and am currently still enjoying that.

I live in Adelaide, South Australia, right near the beach, with my partner, little dog Raffie and two ratbag cats! No doubt you’ll find out more about me through the newsletter!

From the studio

Here’s what’s been happening for me artistically over the last month!

Bookmaking

I took a couple of bookmaking courses with bookart studios that is run by Liz Constable in New Zealand. She is lovely and a lot of fun, and the courses are awesome (I highly recommend them if you are interested!). As a result of the courses, I’ve been busy making books, which has been a real burst of excitement and creativity for me. Check out a recent blog post, my instagram or facebook pages if you’re interested in seeing some of them.

In tandem with the bookmaking, I also started dyeing paper to go in the books. I just figured it would be too boring to just have plain paper, so I started searching for ways to dye paper. I found some really good easy videos on youtube, and started there. In the process of doing it, I decided that I didn’t really want to use chemical dyeing if I could help it, so I started with food colouring, coffee and then moved onto other things like red cabbage! This has been such an interesting and very hilarious journey to this point – and I’m still not finished – there are more dyeing experiments that I’ve already done, and that I want to do, so watch this space! In the meantime, if you want to get a taste of it, have a look at Dye Hard or Dye Trying, my blog about the experiences so far!

Exhibitions and Competitions

During June, I exhibited two pieces of art in a group exhibition at a gallery nearby – Gallery M in Marion, South Australia. The exhibition had some parameters. The artwork was to be postcard sized (or if in 3D, the base was to be that size), and based on the theme of ‘the 5 elements’. For my pieces, I settled on metal as the element, and did some research into metal in Chinese medicine. I discovered that metal is associated with the lungs, and from there, went with a stylised pic of the lungs, and then one of trees, as I took it a step further and thought about trees being the lungs of the earth. The reason I chose metal in the first place was because I have been doing a bit of work with metal leaf on some of my paintings, and I thought it would be a great background in a smaller piece.

In May, I submitted one of my pieces for a Contemporary Art Prize. This was a juried competition, which means that a group of judges decides which pieces get through for the final judging. In this case, unfortunately I was unsuccessful, but I’m quite proud of the fact that I was courageous enough to try! Have a look at my blog on how I dealt with the rejection, which also has a pic of the work I submitted!

Artworks

In future editions, I hope to show you my completed paintings from the previous month in this section, so we’ll see how that goes! Wish me luck lol

Over the course of June, I completed one major work entitled ‘The Guardian’, which was my interpretation of an angel painting. I also completed three paintings that were atmospheric landscapes – two nocturnes and one misty landscape. You can see all of these on either my instagram or facebook pages.

Artist Alerts

In this section, I plan to let you know about anything that you might need to know that may affect you. This could be about social media, or other trending issues affecting artists.

Instagram Bans

In the last few weeks, I’ve gone through the unfortunate experience of having my Instagram account deactivated. You may or may not be aware, but this is quite a frequent occurrence (I’ve since found out!). Instagram can choose to give you what amounts to a ‘warning’ ban, if you do something they think doesn’t meet their community guidelines, OR they can permanently ban you. I’m a victim of the latter. I really don’t know what I did, and I haven’t been able to find out. I started to go through the process to try and get it reinstated, but got caught in a loop where they say they will send a code to your phone, but it never arrives, and your only option is to keep requesting the code (which continues to never arrive!). As far as that goes, I think that I didn’t have my phone number properly updated for that account. So my first piece of advice is always make sure that your contact details are correct.

My second piece of advice is to not rely solely on your social media accounts if you are trying to start or continue to run a creative business. Prior to this happening, I kept reading and hearing that it’s really important to have an email list for yourself as an artist, and I now realise how true that is. I went from an account that I had built up to close to 700 followers over 5 months, to having to open another account, that I’m slowly rebuilding. I can only imagine how devastating it would be if I had an account with thousands of followers, and it was my source of income. Luckily for me that wasn’t the case.

I also took the opportunity to pivot and take a slightly different approach, so all in all, I’m quite happy that it happened, and it was a good lesson and wakeup call.

Instagram Scams for artists

I thought I’d seen them all up until this last week. I had someone DM me asking if they could use my images to do a mural. I was quite suss even for a start, because they were asking about one of my original artworks, which I pointed out would be copyrighted. They then proceeded to ask if they could paint me, and pointed to a reel that I’d done. Anyway, I looked it up online and found someone writing about the exact same thing last year. It apparently becomes a financial scam with cheques and so on. So, this is just a ‘beware of scams’ thing – remember, if it seems too good to be true, it probably is!

Conversation starters

I’ve been wondering lately about whether creators showing timelapse of them creating gives the wrong idea to the general public about how long it takes to create a work of art … I have no data to base it on or anything, but it’s just a general pondering from me … What do you think? Email me, and I may put together some responses for the next newsletter.

Hints, tips and tricks

I’d like to put together some things that might help you, so if you have any questions you think I might be able to help with, please send them through. Otherwise you will be stuck with what I might be obsessed with lol

How do I go about adding metal leaf to a watercolour painting on paper?

This is actually surprisingly easy!

All you need is some metal leaf of your choice (I always find that the imitation metal leafs are best because you get much more bang for your buck. I would save real gold leaf or silver leaf for very special pieces, and in some cases you will need to give them some extra treatment to prevent tarnishing!), and some gold leaf size. Don’t make the mistake of trying to use normal pva glue instead of size, as it reacts quite differently, and you need the properties of the size to be able to apply the leaf successfully.

My BIG tip is to look for metal leaf transfer, NOT the loose leaf, especially if you are doing small and fine elements. In this case the metal leaf is adhered to a sheet of something like glassine, and it doesn’t float away, and you don’t lose copious amounts of it. This seems to be harder to get, and if you are purchasing on amazon, MOST of the metal leaf is loose leaf, not transfer … so just be really careful. Once you’ve used both, you will realise how easy transfer leaf is in comparison. Happy to provide details of some suppliers should you need it!

You should be able to get the leaf and the size at your local art shop, or, get it on google or through a reputable business. Often calligraphy suppliers or bookbinding suppliers will also have the materials needed.

Once you have your supplies, simply paint on the size where you want your gold highlights. You then need to wait until the size becomes tacky – this is usually when it becomes transparent, and after about 30 minutes. It will stay tacky for around 24 hours, so you have some leeway if you want to apply the size the night before and then put the leaf on in the morning.

Lay the sheet of leaf (either loose or transfer) over the size and if using loose, put a sheet of tracing, baking or greaseproof paper over the sheet (the transfer sheet will serve this purpose for the transfer leaf), and rub gently with either a cotton rag or a burnishing tool. This will strongly adhere the leaf to the size.

Pull off the sheets, and you will find there is some excess (if you use loose leaf sheets, there will be a LOT, and you may be finding it for months to come! haha). Just get yourself a slightly stiff paintbrush (if too stiff, it may scratch the leaf and mar it’s shine), and gently go around the edges to remove any excess leaf.

Voila, pretty shiny things!!!

Note that this applies to paper. If you are interested in applying to paintings, either oil or acrylic, you may need some additional steps – if you let me know, I can provide more detail in the next newsletter.

Hope you found that helpful!



That’s it from me for this month, I’ll be back next month with more shenanigans! Feel free to talk to me on facebook, instagram or via email. I’ll be sure to respond!

Liz

The Creative Shaman



The post The Path of the Creative Shaman – July 2023 appeared first on Liz de Koning.

The basic paint kit

Your artistic palette begins with the colors that will breathe life into your creations. Here are the essential colors you’ll need for oil painting:

• Titanium White: A must-have for mixing and lightening other colors.
• Cadmium Yellow: Warm and vibrant, perfect for sunny hues.
• Cadmium Red: Rich and bold, ideal for passionate tones.
• Alizarin Crimson: A versatile red for creating lovely purples and pinks.
• Ultramarine Blue: Deep and intense, the cornerstone of beautiful blues.
• Viridian Green: A cool green for foliage and serene landscapes.
• Burnt Umber: Earthy and versatile, excellent for grounding your paintings.
• Ivory Black: Great for tinting as it doesn’t overwhelm the other colours due to it’s semi-transparency.

Depending on where you are in the world, you may also want to get other colours. For example, here in Australia, with our earthy reds and brilliant blue skies and water you may consider burnt sienna, cerulean blue and yellow ochre. However, the basic colours listed will give you a large range of colours to start with.

High Quality Paints and Budget Options

Investing in quality paints ensures a smoother painting experience, but budget-friendly options are available too. These are generally fine to start with. The main differences are in the ratio of pigment to binder. Budget paints generally have less pigment and more binder.

• Professional Grade: Opt for renowned brands like Winsor & Newton, Old Holland, and Gamblin, known for their high pigment concentration and consistency.

• Student Grade: Brands like Daler-Rowney and Grumbacher offer more affordable options without compromising on quality, perfect for beginners.

Essential Mediums

Mediums enhance your oil painting experience, allowing you to achieve various effects:

• Linseed Oil: The most common and versatile medium, adding gloss and depth to your paint.
• Stand Oil: Slower drying than linseed oil, ideal for glazing and achieving smooth surfaces.
• Galkyd Gel: Accelerates drying time, great for layering and impasto techniques.
• Gamsol or Odorless Mineral Spirits: A solvent to clean your brushes and thin paint.

There are many other mediums, but these are the basics. From the list, my recommendation is to at least have Stand Oil (or lean medium) and Gamsol/mineral spirits. You may not need the others until you have learnt how best to use them.

Canvas

Choosing the right canvas is vital for a successful oil painting. There are also many other surfaces suitable for oil painting but the most convenient and easy to obtain are the first two listed below.

• Stretched Canvas: Convenient and ready to use, available in various sizes and qualities. You can also obtain it from many different places such as stationery suppliers, craft stores, and of course art stores.
• Canvas Panels and canvas papers: Affordable and suitable for practice and studies.
• Canvas Rolls: Versatile and cost-effective, allowing custom sizing and framing.

You don’t need to feel constrained by these basic supply lists, and by all means, go try something if you want to … experimentation will teach you a lot more than just sticking to the generally accepted ‘rules’!

Essential Tools

Your oil painting kit is not complete without some essential tools:

• Brushes: Refer to my recent blog on brushes to select the perfect ones for your needs.
• Easel: A sturdy easel provides proper support and enhances your painting experience. You can start with an inexpensive one that just provides a support to rest your painting on. Table top easels are also a good and inexpensive place to start. Once you know how you like to paint, you can start to look for the option that suits your style of working best.
• Palette knife: A palette knife is really handy for mixing your paint, and can also be used to paint with, so it’s a great and inexpensive tool to add to your kit.
• Palette: The palette is essential to enable you to mix your paint and to be able to see the colours you need for your painting. There are several types of palettes from wooden and glass to plexiglass and disposable. Initially a disposable palette would be a cheap and easy option. But, you may have something around home that you can repurpose for a palette. I have found old glass cutting boards are excellent if you place white paper underneath them.

Cleaning and Cleanup

Maintaining your supplies and workspace is essential for setting up an artistic practice that enables you to work without stress and hassles. You are able to just walk in to your space and start, which is one of the major ways to beat procrastination as an artist.

Here are a few tips:

• Mineral Spirits: Use this solvent to clean your brushes effectively.
• Jars: Recycled jars and plastic containers can hold mineral spirits and mediums.
• Rags: Use rags for wiping brushes, cleaning paint, wiping paint from the canvas and so on. I’ve found that a good source of rags in house painters suppliers, who provide bags of white rags really cheaply.
• Baby wipes: Baby wipes are really useful to clean yourself up if you get paint on you, if you get medium or solvent on you, and also for cleaning palette knives and palettes.
• Brush holders: You can get portable brush sleeves in case you need to take brushes anywhere. I also have pots or old vases to hold my brushes in the studio.

With this comprehensive guide to oil painting supplies, you are well-equipped to embark on your artistic journey. Remember that the journey of an artist is as unique as the art you create, so experiment and explore. Whether you choose the finest professional paints or opt for budget-friendly options, the awesomeness of oil painting is waiting for you. So, let your creativity flow and paint the canvas of your dreams!

Check out my blog on why I’m hooked on oil painting.

Find out more about me.

The post Your ultimate guide to starting oil painting appeared first on Liz de Koning.

So, what is so good about it?

There’s a few things that really stand out to me.

A fantastic medium for beginners

Contrary to popular belief, oil painting is a great starting point for aspiring artists. Its forgiving qualities offer a nurturing space to hone your skills and unleash creativity. I found this out first hand when I started art again after a 30 year break. Here’s some reasons why:

• Easy Fixes: Oil paint’s slow drying time allows for effortless corrections, making it never too late to rectify mistakes. Wiping out and starting over is a liberating experience.
• Soft Edges: By wiping out shapes instead of drawing, you achieve beautifully soft edges, opening doors to intricate details and smooth transitions.
• Diverse Effects: Oil paint’s versatility lets you create stunning watercolor-like effects, blend atmospheric masterpieces, or craft expressive pieces with palette knives (examples below from my artwork). Also check out some famous oil paintings to see the variety of effects achieved.

• Limitless Substrates: The artistic world becomes your oyster with oil painting, as it can grace various substrates:
  • Classic Canvas: The traditional choice, offering texture and resilience for your brushstrokes.
  • Linen: A premium alternative with smooth surfaces for refined works.
  • Board, Paper, and Canvas Paper: Budget-friendly options for exploration and experimentation.
  • Unconventional Substrates: Think outside the box and embrace the creative possibilities of copper, glass, plexiglass, aluminium and more!
• Oil painting mediums can provide all sorts of effects that enhance your paintings such as:
  • Impasto – for really thick brush strokes and palette knife work
  • Lean mediums – for thin glazes and building up layers
  • Numerous others for different effects

Brilliance of colours

The allure of oil paint lies in its rich, lustrous colours that elevate your artwork:

• Sheen and Brilliance: The colors possess a mesmerizing sheen unmatched by other mediums, offering a delightful painting experience.

• Versatile Mixing: Oil paints blend to create an array of hues, from pure colors to subtle tints, while maintaining their brilliance even when thinned.

• Custom Finishes: Achieve your desired finish, whether matte, gloss, or anything in between, for artistic finesse.

Consistent finish: what you see is what you get

Unlike some mediums that may alter in color or appearance during the drying process, oil paint remains steadfast, ensuring your artistic vision comes to life as intended.

Oil painting has become an ongoing and essential part of my artistic journey. Its forgiving nature, captivating colors, and endless possibilities continue to draw me in. As I continue to explore, I’m discovering new techniques, substrates, and ways for my creativity to flourish. If you’re intrigued by painting in oils, come join me in this adventure, and let the brush strokes lead YOU to more artistic discoveries.

I hope to do another blog soon about the basic supplies you need for oil painting when you’re just beginning, but in the meantime, you can find out about brushes in my last blog.

The post The world of oil painting: why I’m hooked and you will be too! appeared first on Liz de Koning.

The finest oil painting brushes for masterful strokes

When it comes to the best oil painting brushes, certain brands stand out as paragons of excellence. These brushes are meticulously crafted from top-quality materials, ensuring that each stroke is a work of art in itself. Of course, everyone has preferences themselves, but this will give you a starting point depending on the price you want to pay.

• Winsor & Newton Series 7
  • Renowned for their Kolinsky sable hair, these brushes offer remarkable precision and softness, making them perfect for delicate details and smooth blending.

• Rosemary & Co.
  • These brushes blend traditional craftsmanship with modern innovation, delivering exceptional performance across a range of styles and techniques.

• Da Vinci Maestro
  • Known for their exceptional spring and resilience, these brushes are a favorite among professional artists worldwide.

Oil painting brushes for beginners and budget-conscious artists

If you’re just starting or have budget constraints, fear not! There are excellent options that offer reliable performance without breaking the bank. It’s always better not to go for bargain basement brushes, even as a beginner. Just go for the best that you can afford, as it will definitely make a difference to your art.

• Princeton Snap! Brushes
  • A budget-friendly choice without compromising on quality. These synthetic brushes come in various shapes and sizes, perfect for exploring different painting techniques.

• Royal & Langnickel Zen
  • Synthetic bristles with excellent durability, offering an affordable alternative to natural hair brushes.

• Daler Rowney Simply Simmons
  • Ideal for beginners, these brushes combine affordability with good performance.

How many oil painting brushes do you need?

While the number of brushes you require depends on personal preference and painting style, a versatile set usually includes a few essential types:

• Flat and Round Brushes
  • These are fundamental for broad strokes, fine lines, and details.

• Filbert Brushes
  • The rounded-edge design allows for smooth blending and soft edges.

• Fan Brushes
  • Perfect for creating texture and blending soft, wispy effects.

• Detail Brushes
  • For intricate work and adding fine touches.

Choosing the Right Size

Match the size of your brushes to the scale of your canvas or substrate. I generally have two to four brushes in each size range, which enables me to pick the right brush for the right job. Although not necessarily required for everyone, I also have some very, very fine brushes. I don’t use them regularly, but there is often something that requires a brush this small.

• Larger brushes (e.g., #10 or above) for large canvases, bold strokes, and background work.
• Medium-sized brushes (#6 to #8) for general painting and blending.
• Smaller brushes (#2 to #4) for fine details and intricate work.

Caring for Your Brushes

Proper care extends the life of your brushes, keeping them in pristine condition. After each painting session, follow these steps:

• Gently wipe excess paint off with a cloth or paper towel.
• Rinse the brush in a solvent (such as odorless mineral spirits) to remove remaining paint.
• Wash with mild soap and lukewarm water to ensure thorough cleaning.
• Reshape the bristles and lay the brushes flat to dry.

You can also get specific brush cleaner through your closest art supply shop, but if you’re on a budget, the above steps will provide all the care you need for your brushes.

Replacing your brushes

Regular maintenance will prolong their lifespan, but eventually, brushes wear out with use. Signs it’s time to replace a brush include:

• Worn-out or frayed bristles that no longer hold a sharp edge or shape.
• Severe damage, such as bent or broken bristles.
• Consistent shedding despite proper care.

When replacing your brushes, try to replace with a slightly better brush each time, if possible within your budget. You will also find that the better brushes will last longer (unless you’re a particularly aggressive painter lol), so they become more cost effective in that way.

In general I find that the cheaper brushes are lasting me up to 12 months, and the better quality brushes are lasting upwards of 2 years. Bear in mind that I don’t paint with oils every day, so if you do, then they could last for a shorter period of time.

Oil painting is a mesmerizing voyage, and with the right brushes, you’ll navigate its depths with confidence. Whether you’re investing in premium brushes or exploring budget-friendly options, let your creativity flow. Each brushstroke holds the power to weave magic on canvas. Embrace the journey, care for your brushes, and embrace the artistry that awaits with every stroke.

Check out my blog on why I’m hooked on oil painting.

Here is a blog about the basic supplies you need to start oil painting.

The post Brushing the canvas: Selecting the perfect oil painting brushes appeared first on Liz de Koning.

At first, I must admit, I was a bit flummoxed. What exactly is a series, and why is it a good thing? Sure, I knew that a series is a collection of paintings, but how many paintings should it include? What ties them together as a cohesive unit? These questions spurred me to dive into research, eager to unravel the mysteries of painting series.

As I explored, I also found myself tumbling down the rabbit hole of artistic style. How does a series relate to one’s unique style? How can I truly know what my style is, and how does it intertwine with creating a series?

These were some BIG questions, but I was determined to find the answers.

Let’s start by briefly talking about style.

My thoughts are, one’s artistic style is a reflection of a lifelong journey, encompassing all experiences, preferences, and encounters along the way. It evolves and changes as we grow artistically, making it a dynamic and ever-changing aspect of our creative identity. So, it’s safe to say that we never truly reach a final destination when it comes to our style—it remains in a state of metamorphosis.

Now, the million-dollar question that many beginner artists ask: “How do I find my artistic style?” My perspective is that you don’t “find” it, as it’s never lost. It’s within you all along, waiting to be explored and nurtured. It exists, but it’s also malleable. The more you immerse yourself in artistic work, the more your style develops and transforms over time.

I’ll save the full discussion about style for another time, but these contemplations naturally led me back into the realm of creating a series.

What is a series, exactly?

A series is a collection of artworks that share some common thread and are created within a similar timeframe. A series can be as few as two paintings, and as many as you can create in a lifetime. Or, of course, somewhere in between. The connection that binds them can be as simple as a shared color palette, a common subject, a particular working method, or even inspiration from a specific poet’s poetry. The possibilities are vast, and it’s entirely up to you to define the essence of your series—what you want to investigate or experiment with at that particular moment.

As I reflected on my recent art journey, I realized that I unintentionally ventured into two mini-series. One focused on capturing atmosphere in my work, and the other explored the technique of using a palette knife. These experiences highlighted that I had already embraced some aspects of creating a series without even labeling them as such.

Renowned artists throughout history have also delved into the realm of painting series. Think of Paul Cezanne and his countless renditions of Montagne Sainte-Victoire, Claude Monet’s series of waterlilies painted in different lights and seasons, or Sidney Nolan’s iconic Ned Kelly series, comprising 27 paintings.

Now, back to my first ever series—I’m calling it the ‘funky trees’ series. It may not have the poetic ring of ‘waterlilies,’ but that’s the beauty of art—it’s all about embracing your own unique journey.

Below is the first in the series:

The connection that binds this series is the subject: trees, and the method of painting that is hard to put into words. Beyond that, I’ve left myself open to endless possibilities, without placing limits on the creative process. I’ll let my artistic intuition guide me in determining the series’ scope and completion.

This feels like the beginning of something remarkable for me. While I’ve enjoyed exploring new territories every week, it’s time to dig deeper and immerse myself in the nitty-gritty of a subject, medium, palette choice, and method. By working in a series, I can:

1. Unify my body of work, creating a cohesive and focused group of paintings.
2. Follow my passions and curiosities down every rabbit hole I desire.
3. Evolve and explore different artistic paths that contribute to my ever-changing style.
4. Present a collection of artworks that reflects my artistic journey at a particular point in time.
5. Engage in multiple pieces simultaneously, each exploring different but related aspects of my artwork.
6. Cultivate increased motivation, as I no longer have to conjure up a different idea each time I step into my studio.

As I embark on this artistic adventure, I invite you to share your own experiences with painting series. If you’ve worked on a series before, what were the benefits for you? I promise to return with updates on my ‘funky trees’ series, and whether all the intriguing aspects we’ve discussed have become my artistic reality.

Let’s delve into the enchanting world of painting series together, exploring the unlimited possibilities it holds for our creative growth.

Check out some of my pieces in the gallery

Contact me if you are interested in purchasing any art work.

The post Branching out: Starting my funky trees series! appeared first on Liz de Koning.

While I had previously heard snippets about Frida Kahlo and her incredible story, my knowledge remained relatively superficial. I admired her as a forceful female painter, recognizing that women artists often don’t receive the same acclaim as their male counterparts. However, I had not truly delved into her art nor grasped the depth of her personal journey.

Stepping into the exhibition, I experienced a complete eye-opener.

Frida Kahlo

Frida Kahlo was undeniably extraordinary. Despite grappling with profound health issues that must have caused her pain throughout her life, she remained astonishingly prolific in her artistic output. As someone who has been known to procrastinate when it comes to painting, I felt a pang of shame when comparing my feeble excuses to her ability to persist in the face of physical challenges.

Out of her impressive collection of 143 paintings, 55 were self-portraits—an astounding testament to her introspection and her unyielding desire to explore her own identity. Examining her self-portraits alongside the many photographs of Frida displayed in the exhibition, I was struck by how she seemed to emphasize her unique perception of herself. While we often remember her as the woman with the unibrow, it was intriguing to see that this didn’t translate into the photographs. It led me to reflect on the fascinating way we perceive ourselves compared to how others see us.

The exhibition didn’t stop at paintings; it offered a glimpse into Frida’s world through drawings and concept sketches. It was enthralling to witness how she contemplated the subjects she intended to paint.

Additionally, Mexican costumes adorned the space, their vibrant colors and intricate designs springing to life before my eyes. Seeing them in person provided an entirely different perspective compared to mere photographs and paintings—they radiated an undeniable vibrancy.

Frida Kahlo’s relationship with Diego Rivera, her partner in art and in life, unfolded with its own share of tumultuous moments. Their union was marred by Diego’s affair with Frida’s younger sister—a chapter that strained their connection. Interestingly, Frida first married Diego when she was in her early twenties, while he was already in his forties.

Diego Rivera

Diego Rivera, an artist in his own right, was known for his monumental mural paintings that celebrated the essence and significance of native Mexicans. His works, deeply rooted in politics, reflected the cultural atmosphere of Mexico during that era.

Mexican Modernist Painters

While the exhibition primarily focused on Frida and Diego, it also introduced me to three other intriguing painters: Gunther Gerzso, Emilio Baz Viaud, and Rufino Tamayo. Of particular interest to me is Gunther Gerzso, a versatile artist who dabbled in painting, design, directing, and screenwriting. His journey from surrealism to abstraction captivated my attention, drawing me to the pieces he created during his abstract period. Emilio Baz Viaud and Rufino Tamayo also captured my curiosity, and I eagerly anticipate diving into their stories and artwork as my exploration continues.

If you find yourself within reach of this exhibition, I wholeheartedly recommend seizing the opportunity to experience it firsthand. Centered around the tale of the Mexican revolution and its aftermath, as well as the profound love shared by Frida and Diego, the exhibition showcases the Gelman Collection—a compilation without a permanent home, but one that travels across the globe, sharing its treasures with art enthusiasts worldwide.

So keep an eye out for this captivating exhibition. It promises a journey of art, love, revolution, and the enduring power of creativity.

The post Unveiling Frida: A journey of art, love and revolution appeared first on Liz de Koning.

Let’s embark on a journey I once undertook, which led to an unexpected burst of inspiration. Trust me, it’s worth the ride!

To begin, find a short meditation from one of the many available meditation apps. Aim for 5 or 10 minutes, preferably without any spoken words, accompanied only by calming music. You might even stumble upon a bonus and find these shorter meditations for free!

Set an intention for your meditation. For example, you can say, “I want to find something that will kick-start an art piece today.” If you’re inclined, express gratitude to the universe in advance. However, feel free to adapt this step to suit your beliefs—or skip it altogether. Remember, it’s all about what works for you!

Start the meditation and allow yourself to surrender to the experience. Notice what comes up for you—whether it’s a simple color, an emotion, or a vivid mental picture of something you want to create. Observe your thoughts, images, or any other sensations that arise during the meditation. Take note of them without censoring or altering anything.

Once the meditation concludes, jot down anything you noticed. If the inspiration is crystal clear in your mind, you might not need to write anything at all! Simply hold onto those thoughts.

Now, take a moment to review what you’ve observed and identify what stands out the most. Embrace your chosen medium and start creating. Trust your intuition as you work, and whenever you find yourself unsure of what to do next, take a moment to get quiet and trust whatever thoughts, feelings, or knowledge arise within you. Ask yourself, “What’s next?” and let your intuition guide you forward.

In reality, when you’re unsure of what to create, the best thing you can do is simply start—just as a famous footwear brand encourages us to “just do it.” This meditation method is just one way to get you to take that first step. It’s like the daily prompts you find on Instagram challenges. All these tools aim to get you doing something, anything. The more you engage in this practice, the easier it becomes to find inspiration every time you sit down to work on your art.

Now, let’s return to my personal story. Given my experience with meditation, I didn’t need to search for a guided meditation. I settled comfortably in my studio chair, closed my eyes, and allowed my thoughts to drift—almost like daydreaming.

During the meditation, the word “yellow” kept recurring in my mind, accompanied by vivid images of different shades of yellow. Now, I’m not usually drawn to yellow in my work, but at the end of the meditation, that’s precisely what I had. So, I gathered my yellows and some white paint, mixed them together, and began applying them to the pages of my journal.

As I covered the page with various shades of yellow, I felt a gentle nudge towards purple (no surprise there—I have a soft spot for purple). Instead of reaching for a brush, I grabbed a stencil—a tool I rarely used—and began incorporating it into the composition.

After finishing with the stencil, I impulsively added gold scribbles onto the yellow—another departure from my usual approach. I let the artwork dry and returned to it a few hours later. To my delight, I loved what I saw!

As it turned out, others loved it too. When I shared my creation on Facebook and Instagram, people took notice. It became one of my earliest popular posts.

To reiterate, the most important thing is to engage in creative action, even when you don’t feel like it. Just start. And if exercises like this one help you get started, by all means, use them. Never believe that inspiration has to strike like a lightning bolt from the heavens. Create your own inspiration, however and whenever you can.

Keep an eye out for my future posts on inspiration, as it’s a theme I’ll be exploring further. If this topic resonates with you, you won’t want to miss what’s coming!

If you found this blog post useful, you might be interested in these posts as well:

10 lessons I learned from doing art challenges on instagram

Finding time for your art

The post Artistic Indecision: When inspiration takes a coffee break! appeared first on Liz de Koning.

Clarice Beckett’s work

Before we dive into the mesmerizing world of Clarice Beckett’s art, let’s take a moment to uncover the fascinating story of this trailblazing Australian talent. Born in 1887 in the country town of Casterton, Victoria, Beckett emerged as a true visionary of her time after studying with Max Meldrum. Though often overshadowed during her lifetime by her male contemporaries, she fearlessly pursued her passion for painting and left an indelible mark on the art scene.

Beckett’s style is characterized by the enchanting tonalism she employed in her pieces. Tonalism, for those unfamiliar, is a style that focuses on the interplay of light and shade. It aims to evoke a particular mood or atmosphere. And boy, oh boy, did Clarice Beckett know how to masterfully wield this technique!

Her paintings transport you to a dreamlike realm, a place where time seems to slow down. And her world is enveloped in a hushed, ethereal glow. Whether she was capturing the tranquil beauty of a suburban street in the soft glow of twilight or the glistening waters of a serene beach, Beckett had an uncanny ability to distill the essence of a scene with her brushstrokes.

When I first stumbled upon Beckett’s artwork, I was captivated by her ability to infuse a seemingly ordinary scene with a sense of profound mystery. It was as if she had unlocked a secret portal, allowing me to see the world through a different lens. Suddenly, I found myself taking note of the subtle play of light on everyday objects. The interplay of shadows and the way they transformed the mundane into the extraordinary caught my eye. I was already aware of light in particular, thanks to the impressionists, but Clarice’s works took that awareness from merely being about the light, to being about the atmosphere, the mood and the emotions.

But it wasn’t just the subject matter that fascinated me; it was also Beckett’s skillful use of paint. Her delicate touch and masterful blending of colors breathed life into her canvases. It created a symphony of muted tones that whispered their secrets to the viewer. It was in this subtlety, this gentle dance of light and shadow, that I awoke something more than just painting a scene in a lifelike way.

What Clarice Beckett taught me

Beckett’s work taught me the power of observation and patience. It encouraged me to slow down, to pause and truly see the world around me. In a world that often demands non-stop motion, her art reminded me to savor the beauty hidden in the smallest of moments—the way sunlight filters through leaves, casting intricate patterns on the ground, or the soft glow that emanates from a lone streetlamp on a misty evening.

Through Beckett’s influence, I discovered the joy of exploring different techniques and experimenting with new ways of using paint. Her work emboldened me to step outside the boundaries of realism, to embrace abstraction and allow my emotions to guide my brush.

Clarice Beckett’s artistic journey was not an easy one. She faced adversity and the stifling limitations placed upon her as a female artist in a male-dominated era. In addition to that, she was constrained by her family circumstances. This meant she could only paint in the early morning or late afternoon and evening. Yet, despite these challenges, she persisted, leaving a legacy that continues to inspire artists around the world, myself included. I often wonder what would have happened if she hadn’t died so young. Would all those paintings that were burned after her death still be in existence? Would it have elevated her to the most prolific and well known female painter in Australia’s history? We’ll never know. Even so, to me, she is the epitome of the Australian artist, and I adore her work.

I invite you to embark on your own voyage into the enchanting tonal world of Clarice Beckett. Let her paintings wash over you, allowing the subtle nuances and delicate beauty seep deep into your soul. Open your eyes to the extraordinary moments that exist within the ordinary, and let her art kickstart your creativity as well!

If you’d like to see some of Clarice Beckett’s art and find out more about her, here are a few place to look at!

Additionally and interestingly, it is exactly 12 months since I attempted to do a Clarice Beckett style painting in my art class. The picture is below – note, this was simply to attempt something new, and it won’t be for sale.

National Gallery of Australia

Art Gallery of South Australia

Art Gallery of South Australia video

Youtube video on Max Meldrum and Clarice Beckett

Find out more about me and my journey.

The post The enchanting tonalism of Clarice Beckett & my artistic awakening appeared first on Liz de Koning.